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TRACK 08 · SATZ II · THE NOISE

Catch and Release

Die Jagd als Sport, die Tür als Gesetz.

2:26 · minor-key vocal house, four on the floor

ZENTRALES BILD

der Haken, zurückgeworfen

ANALYSE

Divine Honesty ist Fiktion. Der Erzähler ist eine zusammengesetzte Figur einer Klasse und Generation, nicht der Künstler.

Der Song 'Catch and Release' von Henri IX ist eine Beichte im Gewand eines Club-Tracks. Der Titel stammt aus dem Angelsport, dem Fischen, bei dem man den Fang zurückwirft, und genau so behandelt die Figur des Albums Anziehung: 'I reel you in slow, just to prove that I can', gefolgt vom Schnitt, 'the first time you get close.' Die Vorgeschichte wird ohne Selbstmitleid erzählt, ein unbeliebtes Kind, das 'learned the one trick: how to make somebody go', und darin steckt ein scharfes Klassendetail: 'they taught the others Latin, they assumed he was slow', die Sortiermaschine der Privatschule in einer einzigen Zeile. Erwachsen geworden, ist das Gewinnen mühelos und darum wertlos, 'the want comes so easy it doesn't mean a thing', also wird der Mensch zum Beweis statt zum Preis: 'You were never the prize. You were just proof.' Der Song ist ehrlich darin, wo die eigentliche Wunde sitzt, nicht in einer bestimmten Person, sondern in der Forderung zu bleiben: 'it's the second she asks me to stand in one place.' Das verbindet ihn direkt zurück mit der versiegelten Tür von Airtight und nach vorn mit Full Table, wo dasselbe Muster beim Namen genannt wird, 'same game'. Diese Beichte über Tanzmusik zu legen ist der Signature-Move des Albums, eine helle Oberfläche über einem kalten Motor, hier geprobt, bevor Tuesday es perfektioniert. Das letzte Wort hat die Schleife, im Text, 'the chase doesn't end, it can't, watch', wie in der Musik, die noch zwanzig Sekunden weiterläuft, nachdem er aufgehört hat zu singen.

LYRICS

You were never the prize You were just proof (the chase, the chase) There's a kid still inside, building scripts in the dark, the loud one, the unliked one, the wrong sort of smart. They taught the others Latin, they assumed he was slow, so he learned the one trick: how to make somebody go. Now the want comes so easy it doesn't mean a thing. I can land any line, I can pull on the string. You walked in convenient, you were bored, you were near, and you're leaving for Berlin in about six weeks from here. So I reel you in slow, just to prove that I can, I reel you in slow, watch you eat from my hand, I reel you in slow, get you sure that you're mine, then I cut you loose cold the first time you get close. Catch and release, catch and release, I hook you, I hold you, I will not be seen. (not be seen) Catch and release, catch and release, I stop at the door every time it gets deep. (every time) Sealed the house off for good after one too many thieves, so the wanting still works but the door never leaves. I can chase like a sport, I can win like a game, it's the keeping I fold on, it's the knowing, the name. You'd have done nothing wrong. You were warm, you were true. The fault was the floor I won't let anyone through. I knew when I started it was useless, I knew, and I went and I did the whole thing to you. It was never the cruelty, that's the lie I'd let stand. It's that I cannot be held, so I won't let me be planned. The wound isn't her, it was never her face, it's the second she asks me to stand in one place. (stand in one place) And the chase doesn't end. It can't. Watch. Catch and release, catch and release, I hook you, I hold you, I will not be seen. (not be seen) Catch and release, catch and release, I stop at the door every time it gets deep. (every time) You'll be gone in six weeks. I'll have proven my point. And I won't even feel the part where it hurt. (the chase, the chase) On to the next one I'll catch, then release.

© 2026 HENRI IX · Texte von H.K.

Divine Honesty cover

Divine Honesty · HENRI IX

18 Tracks · erschienen am 7. Juli 2026